The original album came housed in an elaborate design. The outer sleeve featured a piece of Giger’s monochromatic bio-mechanical artwork that boasted a human skull within an industrial mechanism. However in the centre was a circle depicting the flesh-and-blood face that would have covered the skeleton. The original sleeve was split down the middle, both sides opening outwards, revealing underneath a human female face (sometimes rumoured to be the face of Giger’s then-wife, actress Li Tobler) with alien-like hair and various facial markings – assumed to be scars.